Over my last few years in comics, I’ve really come to understand the idea of working ahead. This may come as a shock, but comic books don’t come together overnight. It takes man hours of pecking away at a keyboard for writers, many hours at the drawing board for artists, and many hours in front of Photoshop and Illustrator for colorists and letterers for even 22 meager pages to come together into a complete narrative. Even though everyone is working toward a common goal, it often takes a year (or more) from the day a project begins to when it sees the light of day (sometimes even longer if the project goes to print). What I’ve learned is that each year, you’re essentially working on what you hope and plan to see the light of day the following calendar year.
Though this year was small for me on the release side, 2014 brought several projects to the shelves that I was very proud of. Though they were completed over the course of 2013 (and some even 2012) I couldn’t be happier to watch them come to life as I worked on the comics that will ideally be thrust upon the world in 2015. (More on that later.)
Shortly after my crime-fiction miniseries Chambers (released in 2013 by Arcana Studio) was complete, artist Kristian Rossi and I started looking for something else to work on together. Indie publisher GrayHaven Comics, who has made a personal mission to promote up-and-coming creators, accepted my pitch for its The Gathering: Public Domain anthology. While I originally had dreams of writing a Zorro short, I instead went with Robin Hood and put my own twist on the classic tale by bringing the rogue into the present day of New York City, rather than keeping him in Sherwood Forest.
Because the comic would be printed in black and white, I envisioned the finished product as having a dark, gritty overtone and I pitched it to Kristian for consideration since his work on Chambers proved through and through that he was the man for the job. Thankfully, he was on board to draw the comic and we were off to the races. The final 4-page short was published in May. The 32-page anthology is still available in print for just $1.99.
The anthology features the talents of many up-and-comers along with Ray Goldfield, Kelly Williams, Eric Grissom and Phil Sloan, all of whom I really admire. You should check this collection out. It’s probably the best anthology I read all year.
After an extended gestation period my action/heist series The Undoubtables finally hit physical and digital shelves. The series had been picked up by UK publisher Markosia Enterprises near the beginning of 2012, and co-creator/artist Emre Ozdamarlar and I worked on this book for roughly two years. Emre was in comic art school throughout the process so it was a fascinating process to watch him apply what he learned as he continued through the book and he was able to truly come into his own by the time we reached the end. The project was colored by Kefas Armando, who had colored Chambers the previous year, and Kell Smith provided us with some wonderful colors on the cover.
Originally pitched and picked up as a miniseries, The Undoubtables read much better as a standalone piece and thus the decision was made to translate it directly to graphic novel format. It wasn’t my call, and I didn’t agree with it at first, but I actually believe it’s better for it. The 88-page adventure about career thief Spencer “Spade” Shelton and his crew robbing banks while dodging deadly mobsters and evading police was published in July and is available not only in a beautiful paperback, but also through just about every digital retailer you can name. It was my love letter to the heist genre with a crew of colorful characters overcoming impossible odds and outsmarting their enemies. The OGN can be picked up ComiXology for just $4. It’s a steal! Pun totally intended.
The series received several really great reviews across the internet and readers really seemed to enjoy how much fun this comic is. From the time the book starts it’s a wild goose chase between cops, robbers and some unpredictable mobsters who aren’t afraid to pull a trigger. I can’t thank Emre enough for the time he spent drawing and inking this book and it’s a project I’ll always look back on fondly.
In the Drink
My final physical publication of the year was a 3-page short in The Gathering: Survival anthology called In the Drink. Yet another project for indie publisher GrayHaven Comics, my pitch was accepted by the book’s editor and I turned this project around super quick with the help of the ever-talented artist Robyn Seale and it was published in September. I enjoy contributing to anthologies because it typically allows me to experiment with ideas and concepts that I may not want to dedicate an entire series to. With Hoodwinked I was able to work with a public domain character while dramatically changing the setting, and I decided that for this tale I would write a comic short that was completely silent.
When there aren’t any words on the comic page, the artist must shoulder the load of telling the story and I think Robyn did an amazing job with translating my outline to the page. Even though this is one of the shortest comics I’ve ever written we were able to establish a beginning, middle and end and still leave the reader with an emotional gut-punch. My idea for a Survival-themed anthology was simple…what happens when two people involved in a car accident come face to face. And more importantly, what happens if that interaction takes place underwater.
At the time of this writing, I haven’t seen the finished anthology with my own eyes, but it’s available in print from GrayHaven for just $3.50 and contains nearly 40-pages of comics from upcoming creators.
After starting my sci-fi web comic in November of 2013, I tried to keep the train rolling and since the project debuted online, myself and a rotating stable of very talented artists have delivered a new short comic each month. Though each installment is drawn by someone different, the narrative keeps going, constantly building upon itself and hopefully setting up quite a mystery for those who are actively reading it.
This year we published 52 pages of the comic online (that’s a page a week!) with plenty more still to come. I’m thankful that the participating artists have donated their time and talents to keeping the story going and I’m keeping my fingers crossed that we can finish out the first volume in 2015. A big thanks goes out to contributors Stan Chou, Damon Threet, Crisuadi Crasmaru, Jay Hernandez, Paul McCallan, Harpreet Brar and Fludi Stohr for lending their talents, along with my pals Brad Burdick and J. Jacob Barker who contributed one-shots set in the same world.
So how does 2014 stack up in my comics career since I started writing funnybooks in 2011? Let’s take a look at the numbers.
Pages written in 2011: 223 (They weren’t very good)
Pages written in 2012: 473 (These were better!)
Pages written in 2013: 267 (These were publishable!)
Pages written in 2014: 352
And how about pages published?
Pages published in 2011: Zero. Zip. Zilch. None.
Pages published in 2012: 3
Pages published in 2013: 119
Pages published in 2014: 147
What’s that? Who keeps track of stats like that? Not me…that would…uh…that would be uber dorky.